In the past I have shared a number of blog posts highlighting the growing trend of installing sculptures in every town, street, park or wherever you darn well please. I love that outdoor sculptures break down any barriers that may exist between art and the general public. Perhaps it is art by stealth? Who cares? It encourages anyone and everyone to interact with the pieces and instantly, everyone’s an expert!
There are few places in Australia that ‘do’ outside sculpture like the small rural New South Wales town of Walcha.
Unfortunately I am not one of them, especially when it comes to anything remotely artistic or creative. I am strictly a stick figure artist and even then you have to use a fair bit of imagination to see what I am getting at, but I do love to see the magical creations of others.
On a recent stroll through many Italian towns and cities, I was spoilt for creative choice
I know I am terribly biased, but I love my home town of Mudgee. Yes, it is only small and, Yes, it is a solid three and a half or four hour drive from Sydney, but when you get here it is a feast for the senses, especially the tastebuds.
We have around 40 wineries, breweries and distilleries in the countryside surrounding the town, however in this post I am encouraging you to park the car, pocket the keys and explore Mudgee itself. Being small, everything is in easy walking distance.
When visiting a large city, it is easy to sometimes feel a bit removed from Nature and find yourself trapped in high rises and on hard surfaces.
Whilst that can be both interesting and entertaining, I find myself hankering for a break from the man-made uniformity of concrete and steel, even if it is just for a quick recharge before diving back into the hustle and bustle once more.
I posted a few weeks ago about a walking tour of Melbourne’s historic arcades. This time our walk takes us away from the streets and onto the leafy paths of the Treasury and Fitzroy Gardens.
My home town of Mudgee, Central West NSW, is already a popular weekend destination for Sydneysiders and others in need of a little down time and indulgence, but there is more to Mudgee than food and wine.
I am convinced that many people spend a sumptuous weekend in Mudgee without realising that there is a vast selection of natural wonders right on our door step. OK, ‘natural wonders’ may be a slight exaggeration, but we do have a delightful range of easy day walks and national parks that are within minutes, or less than an hour’s drive, of the Mudgee town clock.
It is not often that charity, community and culture collide in an event that turns into a genuine win, win, win. The annual Sculptures in the Garden event at Rosby Wines in Mudgee is one of those true winners.
Mudgee, in Central West NSW, is well-known as a weekend escape to enjoy rolling hills, fresh foods and a diverse range of delicious wines to accompany both the view and the victuals. Adding another string to the tourism bow is the ongoing growth of cultural activities such as sculpture.
Kay Norton-Knight of Rosby Wines has been a long-time supporter of the local arts scene and is an accomplished artist herself. Six years ago, Kay rallied her friends and family, identified a worthy charity, and Sculptures in the Garden was born.
As with many community events, SiG (as Sculptures in the Garden is fondly referred to) started out small with just over 100 works, and has experienced exponential growth each year. In 2016 the exhibition featured 234 works ranging from 20cm high to 6m high, and with price tags from $100 to $18 000.
Even if you are not in the market for a piece of sculpture for your house or garden, this event is simply a charming day out. All the sculptures are cleverly placed in the gardens and surrounds of the rustic Rosby homestead, providing a picture-perfect backdrop to the many works. The local Guide Dogs committee provide sumptuous catering and Rosby wines are available by the glass, or bottle if you feel so inclined.
This year’s event was blessed with stunning Spring weather – ideal for wandering through lush gardens and striking artworks, with a glass of wine in hand. Over 3 000 people did just that over the weekend.
But SiG is not just about standing back and looking at art. There was also an opportunity to learn. On both days of the exhibition, there were sculpture walks led by local artists as well as garden walks. A new event this year featured a panel discussion that delved into the importance of public art and its place in the Mudgee region. Edmund Capon AM OBE, the nominated VIP at this year’s event, had plenty of insight to add to the conversation.
The ‘cute’ factor was nailed during a puppy training session, delivered by Karen Hayter from Guide Dogs NSW. The audience melted and drooled over the latest litter of golden pups.
Children were not forgotten in this event. Other than the fact that they could run and play to their hearts’ content through the gardens and paddocks of Rosby, kids also had an opportunity to design and submit their own sculptures. The children were enthusiastic and excited to be able to show off their creativity, and their display demonstrated that there is some serious budding talent out there. A sign of things to come.
SiG has a more lasting impact than just an annual weekend. As well as generating significant funds for the Guide Dogs and tourism traffic throughout the region, it also provides an opportunity for the Mudgee community to connect with a number of signature pieces on a longer-term basis.
The SiG exhibition has four separate acquisitive prizes. Mid-Western Regional Council, Sculptures in the Garden, Moolarben Coal, and Friends of Sculptures in the Garden all provide funds to purchase pieces that become part of a permanent exhibition in the Mudgee CBD.
Mid-Western Regional Council is progressively developing a sculpture walk along the banks of the Cudgegong River. The river meanders through Lawson Park and the sculptures add additional interest to the riverside walk. Currently there are ten separate sculptures, and these will be added to from this year’s SiG. A true statement piece, the 4.4m high ‘Taking the Plunge’ by Stephen Irwin, was one of the three sculptures purchased this year. It will definitely catch the eye of passers-by AND generate a great deal of discussion.
One of the things I really love about SiG is how it makes sculpture totally accessible to Joe Public. I don’t have to be an art-buff to be able to enjoy and recognise the skill of other people. I think this has something to do with the fact that the art is all outdoors in a natural setting – no stuffy galleries or pretentious crowds.
Unlike the gigantic works on show at Bondi’s Sculptures by the Sea, most of these works are also financially accessible. For sure, not everyone would be in the position to snap up an $18 000 masterpiece for their backyard, but as the smaller pieces are quickly red-dotted it is nice to know that in their new homes they will create interest and add colour to the landscape.
The volunteer team that organises SiG are to be congratulated for all their hard work. They have created a significant and valuable inclusion in the regional tourism calendar, appealing to a different set of interests, as well as having developed an event that raises valuable charity dollars, and exposes plebs like me to the ‘yarts’.
Mudgee may be rich in food and wine but visitors and community alike can also enjoy a new kind of richness – a richness of the soul. Hard to measure but no less important.
Now, are you motivated to fire up the welder?
What: Sculptures in the Garden is a two-day arts event. The entrance fee is $5.00 per person. Food and wine is available each day. Stay for an hour or all day. Accommodation is available on site at the winery in the Rosby Guesthouse from $150.00 per night.
Where: Rosby is located at 122 Strikes Lane, Eurunderee, NSW, 2850 – an easy 15 minute drive north-west of Mudgee.
When: Annually – the second weekend in October.
Why: Add some culture to your wine escape in Mudgee and drive home with a permanent memory of Mudgee in the form of a work of art.
How: You will need a car to get out to Rosby. No public transport is available to the site but taxis are available from Mudgee.
Who: Rosby is home to Kay and Gerald Norton-Knight. The event is created and operated by volunteers.
I don’t know why a lot of people pick on Tasmania and give its residents a hard time about having 11 fingers and two heads!
Yes, it is only a small island dangling off the bottom of Australia, and perhaps it is off the ‘main drag’ of tourist destinations, but it punches well above its weight on a whole lot of levels.
Until 2011, I had never spent much time in Tasmania. Sure, I had seen plenty about it on TV, and had once been locked in a conference room in Hobart for a week, but I had never had the opportunity to really explore. Many people had told me it was green and lush, like a mini-England, but it was time to go and find out for myself.
Luckily for The Brave Man* and I, we have some good friends in Hobart who invited us to go sailing with them around Bruny Island for a couple of days. I will talk about that in a separate post at a later date, as it was such a special experience – a true feast for all the senses.
There is nothing like exploring a place with the locals to get all the inside information on their patch. The thing I particularly enjoy is that you get to explore a place at a much deeper level – the economy, the politics and what makes a community tick. A true warts-and-all picture.
I can safely say that Tasmania won our hearts. Tasmania is the complete package when it comes to the variety of things to see and do. It’s a terrible cliché, but ‘there is something for everyone’ in this postage stamp-like state.
Hobart is well-known for its convict and pioneering heritage. Settled in 1804, many of its handsome sandstone buildings remain intact, giving the city a feel of grandeur and grace. Other than a stroll around the distinctive wharf area – the final port for the annual Sydney to Hobart yacht race – a journey to Hobart would not be complete without a visit to MONA.
MONA, the Museum of Old and New Art, just has to be seen to be believed. Even if you are not an art lover, go there for a complete reorientation of your senses. I do not have an artistic bone in my body but even I could appreciate the diversity and depth of most of the art works.
The MONA experience started with a relaxing ferry ride from the Hobart wharf, up the Derwent River, to the foot of a sandstone cliff that encases the Museum. Where things started to challenge normality was when I had to walk four storeys underground to disappear into a world of wackiness and confrontation.
I spent most of the next four hours laughing outrageously, laughing nervously or being completely gobsmacked! I have no idea whether those were appropriate responses, and perhaps I was showing my complete lack of culture and civilisation. There was the Fat Car, a plump and pumped up Porsche, as a commentary on our flabby and obese lifestyles. There was a tribute to Madonna which included a wall of 40 televisions, each featuring a person singing ‘Like A Virgin’ off-key. There were Egyptian sarcophagi and a truck in a hall. Yes, a full-size semi-trailer four storeys underground, wedged in a hallway. Go figure!
By the end of the visit, I was physically exhausted and almost sore from the sensory overload. Such an assault on the senses, both positive and negative, has left a deep and lasting impression. Call me crazy, but I think it is worth a trip to Hobart just to experience MONA. It has not converted me to become a modern art fan, but it has certainly put Hobart on the cultural map!
Reeling from all that ‘culcha’, we borrowed a car and headed west out of Hobart to see as much of Tassie as we could in the short time remaining. In another post, I will talk about the excellent range of day walks we enjoyed, but here I will focus on the ‘built’ tourist attractions.
If you have the opportunity, another ‘must see’ is The Wall in the Wilderness. Located at Derwent Bridge, midway between Hobart and Strahan, a sculptor is creating a breathtaking work of art in wood. The Wall is made up of three metre high panels of wood, all joined together to form a solid visual expanse. These panels are being progressively carved to highlight the history of the central Tasmanian highlands, starting with the Indigenous people and including the timber industry, pastoralists, miners and Hydro workers. The skill involved is simply outstanding – a wagon has every spoke, chain and rope carved individually and separately to stand out in relief. When we visited in 2011, the wall was around 40 metres long, with the final length to be 100 metres. I agree that sometimes wood turning and wood carving can be a little twee, but this is art in a wooden form. Don’t miss it.
Back in the car, we joined the stream of grey nomads heading west towards Strahan. It gave me pause to wonder whether we had automatically and involuntarily joined the Grey Nomad scene, and although I wasn’t overly happy about it, we were travelling out of school holiday time, and we simply had to roll with it. Literally! Get stuck behind a grey nomad in a caravan or camper, and even though Tasmania is small, it takes a long time to roll anywhere!
The West Coast Wilderness Railway was a highlight for the train nut in our travelling party. The steam train puffed its way from Queenstown to Strahan, through some of the most remote and picturesque landscape you could ever come across.
Queenstown is a bit of an anomaly in the normally leafy Tasmanian countryside. It is a moonscape, battered and barren as a result of over 100 years of copper mining. It is a tired community with little going for it other than being the starting point for the tourist railway. I am sure the loyal locals would beg to differ, but the down-at-heel feel and multiple empty shops indicated to me that its time has passed.
The negative impacts of the copper mining history can still be seen today with both the Queen and King rivers classified as toxic. A perfect example of paying for the mistakes of generations past.
The West Coast Wilderness Railway is unique because it includes an ABT Rack and Pinion system on part of its track to manage the steep inclines. It strains and groans as it rattles and ratchets its way up the mountain. I wondered if we were going to make it, while the train buff was almost hanging out the carriage window, counting every rack and every pinion. Constructed in 1897, the rail line’s main purpose was to transport massive loads of copper to the port at Strahan, but now it specialises in massive loads of tourists…or loads of massive tourists. Other than being a very pleasant way to spend a day, we were educated about the pioneering history of the region as we rattled along the route, with a number of stops where we could pan for gold, explore ruins and stretch our legs.
Returning to Strahan, we spent the rest of our visit wandering around the streets and docks. Strahan is a charming port town, perfectly set up for tourists with a range of intriguing art and craft stores, and plenty of top quality food and beverages. Wood carving, wooden artefacts and timberyards are prominent, and The Brave Man* bought a few Huon pine offcuts as a memento of his visit. Not the most exciting souvenir in my opinion, but each to his own!
Unfortunately, time beat us and we had to point the little car back towards Hobart. I have only covered a few of the highlights we experienced. There is just so much history and beauty crammed into this gem of an island. One day when we sign on as full-time grey nomads, we will return.
Tell me, what do you recommend we see the next time around?
What: MONA is open every day except Tuesdays. Entrance fees are $20 for adults or free if you are under 18 or from Tasmania. The Wall is open seven days and entrance fees apply. West Coast Wilderness Railway is $100 per person including a shuttle bus from Strahan to Queenstown.
Where: MONA is located 11 kilometres north of Hobart – approximately 25 minutes by water, or 20 minutes by road. The return ferry ride costs $20.
When: We visited in Autumn. The days were cool and crisp, and thankfully the Rain Gods stayed away.
Why: Choose Tasmania if you would like a short break with lots to do in a small space.
How: We drove and, other than the slow traffic, it was the best and most flexible way to move about.
Who: Myself and The Brave Man* and multiple senior citizens.
Related Posts: Watch this space…
Related Blogs: I am not the only one to wax lyrical about a road trip in Tasmania. For a younger and groovier perspective have a look at http://www.worldofwanderlust.com/life-time-tasmanian-road-trip/
*The Brave Man refers to my husband. He is indeed a brave man for marrying a crazy woman like me!
I imagine that tourism is a tricky business. What attractions and businesses do you need in a community to capture and keep a visitor for more than one day? Not every community can have a Disneyland, nor every town an Eiffel Tower.
Personally, I feel it is the simple things that are sometimes the most attractive, but few communities realise they have it in their power, or have the energy and initiative, to create something special.
Greenville, South Carolina, is a living, breathing example of how to create something out of nothing. The residents are obviously passionate and proud of their city and are not afraid to invest their energies, and their all-important dollars, to benefit both locals and visitors alike.
We visited Greenville as part of a short but convoluted road tour of the USA (see my post about looking for James Taylor). On the surface, Greenville could be viewed as basically another smallish city in the deep south of the USA. It is bustling, super-friendly (Hi Y’all), mad-keen on American football and full of flapping banners from competing universities. It is when you get out of the car and onto the streets that you get the true sense of the city and how it has been rejuvenated to stand out from the crowd.
In the early days, Greenville was a mill town. Cotton mills were prolific, and woollen mills and a paper factory all clustered along the edges of the Reedy River. In 1915 it even branded itself as the Textile Centre of the South. Viewing historical photos, I can only imagine the impact these industries had on the local economy but also the environment.
Today there is little evidence of the negative impacts of the mills, and the Reedy River has been restored and enhanced to make it virtually unrecognisable in comparison to those industrial days.
The Reedy River, at the foot of Greenville’s main street, is now part of the Swamp Rabbit Trail. This trail stretches a superb 21miles (33.8km) through forests, valleys and riverside parks, linking four communities in Greenville County. Each year the trail grows and snakes (or should that be ‘hops’?) through the picturesque County as funds become available.
While any community can create a park or a trail, the thing that really caught our imagination was that much of it was, and continues to be, funded via philanthropy. Reading the Swamp Rabbit Trail promotional material, opportunities to sponsor and donate abound, and include benches/seating, bike racks, mile markers or even ‘buying’ a section of the trail.
I realise that Australians do not have a strong philanthropic culture but just think what we could create in our communities if we did?
I spent many hours walking through Falls Park and Cleveland Park – adjoining parks in different parts of Greenville – but all connected by the Trail. It was obvious to me just how popular this walk was, with locals of all ages walking and cycling, and visitors such as myself armed with cameras and smartphones.
The valuable thing is that the community has recognised this ‘infrastructure’ as not only good for a healthy lifestyle, but also a solid economic generator. Research conducted in 2014 showed that businesses neighbouring the Trail reported up to 85% increase in trade due to the passing foot and cycle traffic. It also found that 25% of trail users were visitors and they invested $6.7million in the local tourism economy. Yes, there is money in the great outdoors and we, as individual donors, can influence that.
Philanthropy was not only evident by the river, but also up and down Greenville’s main street. The whole street has been converted into a public art space with an easy stroll from one sculpture to the next. I realise sculpture is not everyone’s cup of tea, but if the aim is to slow down the foot traffic and encourage people to spend longer in the CBD (thereby benefiting business and economic turnover), then this is an ideal tool.
The 40-odd sculptures range from bronze busts of civic forefathers, accompanied by panels of historical explanatory information, to exuberant lifelike violin and flute players dancing in the forecourt of some non-descript corporate structure. The majority of these works were funded by private individuals or families in memory of someone, or for their own posterity I guess.
All the sculptures were linked together as part of an informal walking trail which moves you from the top of the main street to the bottom – yes, sharing the love amongst the business community.
The really clever thing they have done in this city is to include sculpture targeted at children. A dedicated Mice on Main sculpture trail has been developed which is literally one great mouse hunt. Nine tiny bronze mice are hidden in mysterious places along the main street and children use a treasure-hunt-type map to discover them all. How tricky is that? It engages the younger members of a travelling party, captures the whole family for longer (eating, drinking and shopping) as they walk, systematically moves visitors throughout the community, AND it is community-funded.
As you can tell, Greenville certainly left an impression and inspired us to think about what we could be doing in our own home town to enrich our community and add to the tourism arsenal. Greenville is a fantastic example of a community with a bit of vision and a lot of energy to bring their dreams to life. Their efforts have built a rich and vibrant community with a very high quality of life for themselves, but they have also created cultural and environmental tourist attractions that encourage people to visit, stay and spend.
Win, win, win.
What: Greenville has a population of around 62 000 people. We stayed at Hampton Inn and Suites situated on the Reedy River in downtown Greenville. Access to the Swamp River Trail and the sculptures is free but you can also join themed walking/cycling/segway tours with a variety of commercial tour companies.
Where: Greenville is in the north-west corner of South Carolina, USA. You can fly in/out of Greenville/Spartanburg International Airport or access it by every other mode of transport.
When: We were there in early Spring and the flowers were just starting to pop open.
Why: Greenville is a picture-perfect introduction to the southern states of the USA. Friendly and warm people, interesting arts, tempting shopping, historic architecture, southern cuisine, a jazz scene and plenty of outdoor activities.
How: We drove from Washington DC (as you do) in a hire car. The road network is excellent.
Who: One man pretending to be on a serious research project (well yes, he actually was) and me being a serious tourist!